First, however, we have to whip the Mechanicals into shape for the Dart Drama Festival on 8th and 9th November. No pressure there at all.
What I'm particularly loving is the strange continuity that seems to be appearing. As I said in the previous post, some of the actors are reprising their roles from 2007. We're using pretty much the same, edited script that we used then, but I've been through and trimmed a little here and reinstated a tad there. Yet people are remembering, even now, what they did then. Our Sal (Helena), for instance, in rehearsal last Sunday, was running her first lines and stalled a little...wasn't using her script and the reason for the stall? She wanted to use the lines she remembered from 2007, but a couple had been cut and she couldn't get them out of her head! So we put 'em back in. Happy as Larry now.
There's a smashing positivity about the whole thing, and we're only a wee way in. The Faeirie folk arrive next Sunday and start their rehearsals with the other actors...and there's another lovely little bit of 'connectedness' if you will. Some the young people who are in this production were part of their own group's (the fabled Little S.O.D.'s) rendering of the story; a modern, musical version, written specifically for younger companies, called 'Dream On'. Just one of the actors in that show was, the then, little Sophie. A few years before that, she was one of the faeries in our production of The Dream; and this year the now not-so-little Sophie was Stage Manager for King Lear. Lovely to see how things move and grow yet somehow remain in touch.
Some of the Faeires from the 2007 Dream...and there's Sophie, front and centre, in green and white |
The Mechanicals from Dream On...and there's Sophie with ears! |
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